GFAG at Architect@Work: Room Acoustics in Dialogue with Architecture

We’ve had an eventful April: On April 15 and 16, we were at Architect@Work in Munich, followed by the event in Luxembourg on April 28 and 29. Two locations, many conversations, and a topic that is with us every day: How does room acoustics become an integral part of good architecture?

Architecture isn’t just something you see. It’s also something you hear, experience, and feel. That’s exactly where GFAG comes in: creating spaces that are visually compelling and acoustically effective at the same time.

Exchange with Architects and Planners

Architect@Work is specifically aimed at architects, interior designers, and specialist planners. The focus is on curated innovations, high-quality solutions, and direct dialogue.

For us, this environment was ideal. After all, good acoustics don’t result from standard solutions, but from discussions about usage, design, materials, and technical requirements. In Munich, 356 selected innovations showcased their concepts to 2,041 visitors. In Luxembourg, there were 135 innovations and 1,709 visitors.

Acoustics as Part of Design

Our goal was to present room acoustics not merely as a technical detail, but as a design element in architecture.

Whether acoustic baffles, ceiling panels, wall absorbers, textile surfaces, acoustic wall art, or combined solutions with lighting: what always matters is the interplay between acoustic effect and design integration. A solution should not appear to have been added as an afterthought, but rather become part of the room’s overall concept.

Topics that align with GFAG

The focus of the events also aligned very well with our work. In Munich, the theme was “Transformation”: dealing with existing buildings, renovations, new uses, and the question of how spaces can function in the long term.

In Luxembourg, “Thoughtful Tomorrow” turned the spotlight on responsible, flexible, and sustainable architecture. Both are themes that are also crucial in room acoustics. After all, many projects begin with precisely this question: How can a space be improved without losing its architectural quality?

Questions from Planning Practice

During the on-site discussions, it became clear that interest in well-founded knowledge of acoustic design continues to grow. Questions arising from concrete planning scenarios were particularly intriguing:

How can an exposed concrete ceiling remain visually appealing?
How can open-plan work environments be made acoustically quieter?
Which solutions are suitable for existing buildings, and which for new construction?
How can color, form, material, and function interact in such a way that acoustics don’t have to be hidden?

These very questions demonstrate that room acoustics today is far more than just a technical add-on. It influences atmosphere, concentration, communication, and well-being.

Our Conclusion

Many thanks to all visitors in Munich and Luxembourg for their keen interest, open discussions, and valuable insights. These in-person exchanges consistently remind us just how important room acoustics have become for modern architecture.

GFAG stands for acoustic solutions that listen, think along with you, and enhance the impact of spaces. Architect@Work 2026 provided the perfect setting for this.